Tuesday, October 31, 2017

Wm Paul DeMent - Author Spotlight


I am a working stiff by day, but an artist in life. An award winning artist, as well as a musician/singer, song writer and a lover of the written word. 


I read many different authors, although my Stephen King collection is by far the most complete, and I would credit Sai King for my interest in becoming a writer myself.

I wrote a few short stories when I was younger, just for fun, and many bits of prose and poetry,  but I always had a nagging little voice in the back of my head that told me to try my hand at a novel. 

My first attempt came in at just over a 1,000 pages, (no writers block here). I’ve written 5 others since, from paranormal/sci-fi, to action/adventure, all with a hopeful sense of humor, and teaching myself to whittle the story down as I go.

I now stay more towards the short story end of things, trying my hand at new genres as I go. I’ve never sought out publication, but share my work willingly with family and friends, and of course, on the writers group that I admin for, Writers Unite.

Be sure to read Wm Paul DeMent's story, Krisper's Legacy, a short story adaptation from his one act play of the same name. 

Krisper's Legacy (a play in one act)

   By Wm Paul DeMent


Cast of Characters
                   

       Mr. Rooney:             Older Man/Late Sixties.
       __________             (Still Vital, Stern.)     

       Carl Page:              Young Man/Mid-Twenties.
       __________             (Cocky Swagger, overconfident.)

       Ms. Perchance:          Secretary.
       _____________          (Off stage/voiceover Intercom.)





                         Scene
                        _______
                
       Executive Manager’s Office, KITTY KRISPER Manufacturing.

                         Time
                        ________

       The Present.

                                                          I-1-1



                         Act I
                        ________

                         Scene 1
                        ________


                                                         
Setting:               We are in a well kept, long-term use,
                      office space. A space filled with; file
                      cabinets, Book cases (slightly
                      overflowing), shelves with miscellaneous
                      bric-a-brac and photos.
                      The wall center stage features dozens of
                      awards and certificates that surround a
                      good sized advertising logo sign for
                      Kitty Krisper Cat Feed.
                      Office door, stage/left
                      Window featuring; view of factory smoke
                      stacks, stage/right.
                      Center to right is, the office desk, and
                      chair. The desk is functionally
                      cluttered. Phone, desktop computer, etc.
                      Center to left, two straight backed
                      chairs facing the desk.


At Rise:               Mr. Rooney is seated at his desk, reading
                      an open file and lightly drumming his
                      fingers on the desk top.

                        Mr. Rooney
         (Pushes button on phone/intercom, leans slightly
         forward.)
Ms.Perchance, would you let Mr. Page know that I’ll see him now?

                        Ms. Perchance
         (Off)
I’ll send him right in sir.

         (Carl Page enters through, and closes, stage/left
         door.)
                                                          I-1-2

Halloween Microfiction Contest Winners



The Sacrifice
by Danielle Nolan

Miserably, Gerald watched the other children dressed up for Halloween. This year, he had no costume. There would be no ringing of doorbells, no scaring, no spooky houses to scream in, and worst of all: no candy!

"Mom! I'm done visiting Gerry. I want to collect candy, now!"

"We'll leave shortly, Cody," promised his mother, but that answer wasn't good enough.

"I want my candy!" Cody screamed before mysteriously falling silent.

A wind whistled through the cemetery. Gerald didn't feel bad about making Cody sleep. Bratty Cody could skip this Halloween. It was a small sacrifice. At least it was better than being dead.

"Alright, honey. Let's go."

Gerald smiled in his little brother's vampire costume and took his mothers hand.



Stay Out! 
by Melody Fisher

Don’t enter that house!
It’s haunted, don’t you know?
Filled with spooky sounds,
orbs that growl and glow.

That lady descending the stairs
pointing towards the door,
died from a bullet
in nineteen thirty-four.

The corpse in the bathtub
shot her with his gun,
then drowned himself
when he saw what he had done.

The baby in the attic
heard every night,
endlessly cries
until the morning light.

The bride lounging on the bed
waits for her groom—
He's hanging by his neck
in the doorway of the room.

That boy in the closet
will never realize,
he's covered in dried blood,
and a swarm of buzzing flies.

This creepy house
boasts a violent history—
angry, frustrated ghosts,
and unsolved mystery.



I Cut You Down
by Holly Nicholls

‘I cut you down, remember?' He asked the inky abyss. Only his voice echoed back, distorted and demonic.

The prison guard had chosen to revisit the state prison. For many years it remained unmanned. Even as he walked alone, he felt eyes on him. Watching. Waiting.

He remembered all the tortures, all the death and suicide that took place here, feeling like the events had absorbed into the walls as though they were sponges.

His footsteps crunched on broken glass, and his flashlight traced along the crumbling walls. It was empty, as usual, but he wasn't alone. They watched.

As he turned, his flashlight traced the outline of two feet, hanging five inches off the ground, swaying in the still air.



Last Night
by Maria Zach

As always, I woke up to my phone alarm. I rolled over to switch off the alarm, expecting cold hard metal. Instead, I touched flesh.

I jerked my hand back. Somebody was in bed next to me.

The alarm stopped. Hardly daring to breathe, I listened. Silence except for the pounding of my own heart. Whoever, whatever was next to me was not breathing.

Realizing it was still pitch black, I groped for the lamp switch and flicked it.

Nothing.

A scream was building in my chest. I struggled to hold it in. Slowly, soundlessly, I edged off the bed.

I ran to the doorway, nearly tripping over myself, and switched on the lights. I turned back towards the bed.

Nothing.




Happy Halloween 2017


Halloween Tales

In the spirit of Halloween ghouls and goblins and haunted houses, I am sharing some work from a few of the brilliant authors in the a Scribblers Chamber group.

Share, comment, scare the hell out of your kids tonight by reading them a story!

Keep an eye on these guys... They will be on the rise and upon my shelves before long.


Brown Candy
by Josh Darling
A Ghoulishly delicious and disturbing tale site to make you think twice before dipping your hands in a bag of treats.



Teenagers and hormones and a huge black cat, oh my!




Krisper's Legacy
by Wm Paul DeMent
Sometimes it's much wiser to play by the rules!






The Sacrifice 
by Danielle Nolan 

Stay Out! 
by Melody Fisher

I Cut You Down
by Holly Nicholls

Last Night
by Maria Zach


The Teacher


'Twas not the night before Christmas, but they would come to wish it was.

It was the week before Halloween, and what I had was three boys hell bent on trouble. When are three boys together ever any different? 

This was trouble of another kind though, the sort of trouble nobody wanted or would have wished upon a perfect stranger, let alone their most evil enemy. This, was the worst kind of trouble, way beyond their young, teenage imaginations, and mayhaps it came from that before unknown evil enemy. None of them would ever find out the source, well not before it was too late anyway. Perhaps one or two, or all, would live on to share the lesson, a painful lesson born of experience and life. And death.

My name? Well, I'm Teacher. And The Teacher. Why the hell would a family call their cat Teacher? Doesn't matter much. I only answer when there's food involved as the end reward anyway. What kind of teacher am I, you ask? Dear reader, the devilish kind, of course.



Halloween. Almost, as I said. And I'm a cat, told you that already too. A black cat. Old and wise enough to know what was in store for me over the coming days, as if the daily reminders from the older boy upstairs weren't enough. 

You ever seen a Maine Coon cat? A black Maine Coon? We're pretty rare in that colour, and as a breed, very casual and laid back too. Some would even call us lazy. We ain't. You're going to have to trust me on that. What we are is smart. Very, very smart. And calculating. You won't have to trust me on that one because you'll get to witness it yourself.

Brown Candy

By Josh Darling

“You two boys doing the gay cop thing tonight? You look old for trick ‘r treating?” he wore a red foam wiener that extended off the top of his head and down to his knees with a black unitard underneath. His costume started out as a giant hotdog, but the bun made him too hot so he removed it.

"No, we’re real police officers. As you can see we have the cruiser. Sir, can we come in and talk with you?” The officer holding the bags said.

"Oh my,” said the wiener without a bun, “Then why do you have the goody bags? Those are for the kiddies who want chocolates.”

 “Sir, that’s what we want to talk to you about. Can we come in?” the partner said.

Opening the door the rest of the way he allowed the officers into his home. He moved through the various shades of white and crème colors making up his décor. The cops followed. The officer carrying plastic goody bags rustled as he walked.


Spotted on the walls were happy skeletons and smiling bats. Halloween decorations hung inside for the homeowner and no one else. The red wiener sat on his couch feeling sexy, like Sharon Stone in “Basic Instinct.” He looked over the patrolmen, “So what can I do you for, you officers of the law?”

“We’ve had some complaints.”

“What kind of complaints?”

“Specifically from parents, about you…”

“About me?” he put a hand on the fake red meat over his chest.

“Yes, that you’ve put waste matter in the kiddies bags.”

“Like garbage? Who would do a terrible thing like that? That’s just God awful.”

“No sir. That you’ve been handing out human waste matter.”

He held up his hands, “As you can see my hands are clean.”

The cop holding the bags full of candy raised them. “Sir, I got a half a dozen bags here, all with fecal matter mixed in with the candy. Now how do you suppose it got there?”

“That’s a good question, but how many bags you got there? Whom do you know, who can make six maybe seven turds in a day? Do I look like some kind of superhero to you? Do you think I have the power to process that much food and make that many fresh turds?”

“I’m not saying I know where you got them. Did you put human waste matter into these kid trick ‘r treat bags? Sir, yes or no?”

“I would have to be farming turds to pull off what you are talking about. Do I look like a turd farmer to you?”

“Make this easy on yourself, we got eight witnesses. Have you had any company over?” his hands went for his handcuffs.

“Things going to get kinky officer?” the wiener winked.

The officer holding the bags put his index finger to his lips, “Shush.”

The sound of kids and cars outside penetrated into house.

“Did you hear that?”

“It was probably one of my electronic goblins outside. They make so much noise. Mwhahahahah,” his face lit up with sinister joy imitating the animatronic demon guarding his walkway.


“Sir, be quiet.”

“This is my home and I have the freedom of speech in—“

“Sir.”

More kids, more cars, a dog barked in the distance.

The officer handed the trick ‘r treat bags to his partner, “Hold these and watch him.” He put a hand on his gun and headed for a door off the living room.

“You can’t go in there without a search warrant.” The hotdog said.

“Don’t you know inviting a cop into your house renders you powerless? It’s all the same rules as vampires,” the partner said.

Opening the door, the smell hit the officer. He choked back vomit.

There were several men and women, stripped naked, bound to chairs. Above their heads were feedbags and a length of garden hose shoved into their mouths. The throat deep garden hoses hummed for help, it was the most they could do. Under the hostages’ chairs buckets collected.

“I think we hit the mother load.”


Sunday, October 15, 2017

Microfiction Contest Winners

Microfiction Contest

Theme: Bloodstained 



Winners:


His Bloodstain
by Melody Fischer

The stain has faded from crimson
To a dirty, mousy brown
Taking on the illusion
Of his face wearing a frown.
She scrubs with all her might
To make him disappear
Staring at his bloodstain
Feeds her guilt ridden fear.
Unprovoked, she butchered him
In a violent fit of rage...
Authorities cuffed her, 
Threw her in a cage.
A jury of her peers
Found her ‘temporarily insane’
Allowed her to return home
To live with his bloodstain.
She scrubs it with a brush
Saturates it with clorox bleach
It just seems to grow bigger
Stretching out of reach...
Only her eyes can see that stain
No trace was left behind
There was nothing temporary
About her state of mind.



God-Father
by Maria Zach

Blood everywhere; all over the goddamn place. Evan was dead; unchangeably, irrevocably dead — murdered, if one were to be precise. I killed him — made Pitt kill him. Shot through the heart. I'd loved him. My hand was forced. There could be no other way. I wondered what to do with Pitt.

Should I kill him too? Perhaps, lead the cops to him. I wouldn't miss him — I hated him. Everybody hated him. I'd seen to that.

Yes, I'd kill him too; assuage the guilt. Somebody had to take the blow after all.

My characters stood arrayed, bathed in blood. My MC's most loyal, most trusty sidekick was dead. I wielded my pen; this death would not go unavenged.



The Date
by Jayson 

The scarlet dress was definitely the right choice, but she isn’t sure her lipstick complements her rouge. She makes the rouge darker, vibrant. Smiling, she licks her lips. 

“Darling? Do you like?” Standing from her vanity with a flourish, the gown spinning about her legs and rising just enough to show off her carnelian c.f.m. pumps. 

Remembering when she had called them that and he had enquired guilelessly, boyish face beaming with virginal inquiry, “What’s c.f.m. mean?”

Throwing him a coquettish, incredulous look, she mouthed the words erotically; “Come. Fuck. Me.”

He’s pouting and refuses to answer. Drawing a clean razor blade across his quivering, bloodstained chest, she dabs at the fresh blood and applies it to her lips. There. Perfect.



~~~~~~~~~~~~~~~~~
As the Microfiction Contest is an ongoing collaboration with 121 Words Winners are also published on the  121 Words Website

Current Microfiction Contest Theme: Halloween


Open to Scribblers Chamber members only. 
Deadline for submissions
October 20th, 2017 11:59pm EST


For more detailed information, please visit our Microfiction Contest Info Page


 

Write like it's criminal! 


Friday, October 13, 2017

Submitting Your Manuscript to A Publisher: What To Do; What Not To Do

Concerning Cover Letters, Query Letters, and Manuscript Submissions 




Publishers have certain expectations when it comes to manuscript submissions. 

Most manuscripts are denied before a single word is read solely because of how it was submitted! 

I find writers not only continue to purposefully stray from the norm when submitting work to a publisher, but will argue over “creative freedom” ad nauseam as if it's the only factor setting them apart from all others with access to ink. This practice, the attempt to draw the attention of those that sift through the piles of stories looking for that one golden ticket, has been overplayed to the point there are talks of manufacturing shredders on a super-sized scale for easy and constant feedings of 500+ pages per nanosecond.

I say it over and over, repeat it again, say it once more, but writers are a stubborn breed and insist being different will gain them an edge over the competition. It. Will. Not.

The transparency of these “Look at me!” maneuvers sickens publishers. Coloring outside the lines as a “creative decision” does convey a message, but it is one you should avoid if you ever hope to publish.

It tells a publisher: “I find you too stupid to see I am trying to manipulate you” or “I'm going to be a constant pain in your ass once you risk representing me/backing my name with yours” or “I am too immature to follow rules and am far too entitled to be taken seriously as a writer.”

Do yourself a favor and follow protocol. Don't ruin your name before it even means anything in the world of writing.

Altering your work to stand out from the crowd merely demonstrates a lack of professionalism and the inability to follow instructions. It is the most efficient way to ensure hundreds of pages of breathtaking prose poured from your aching soul is crumpled up and used as kindling for one kickass devil-envied bonfire beneath a star-filled moonless sky as Penguin and HarperCollins lounge about with a glass of bourbon in one hand and a manuscript in the other. One that is not yours. One that was sent to them correctly and professionally.

Fancy fonts and floral-bordered colored paper are the most common methods used by writers to sway a publisher into opening their story before all others; thus, it's the most common mistake made by submitting writers. It's adorable that any writer thinks there is even one publisher that has yet to see it all. Even the smallest and newest publishing companies can see through the smoke and mirrors. Matter ‘o fact, they'll be the first to call bullshit because they too are in the stage of defining their name. They won't sully their reputation for your “creative” preference.

There is literally nothing you can do that hasn't been done before. Nothing. Don't be the fool that believes there is a publisher naive enough to be influenced by grade school magic tricks. Don't be the writer that tries to prove these words wrong. How many publishers will you alienate along the way? Weigh the costs carefully.

Submitting manuscripts is not a difficult procedure. Follow the formatting guidelines as outlined by each individual publisher. Don't stray from the guidelines. See? Simple.

Submission of a manuscript is more than half the battle of getting published. Every publisher lists their submission guidelines on their website, preschool-easy to understand, damn-near-do-it-for-you simple I mean, yet day after day after day manuscripts pour in revealing total ignorance of said guidelines by beginner and veteran writers alike.

Even I have standards for which submissions I will publish on my page and which I will not, for when I do so, I am putting my name behind yours and it reflects on me as a writer. I can promise you, I will not publish anything unworthy of my own name, nothing from one who takes no pride in their work. I have goals too, and equating myself with unprofessionals is not one of them.

Submissions of first draft quality equate to spitting in a publisher's face. Polish your work before sending. Submit only that which you would be proud to see in print.

It cannot be stressed enough: Follow the formatting guidelines as outlined by each individual publisher. Do NOT stray from the guidelines.

If you are a writer that enjoys the sharp pangs of rejection, then I highly recommend you continue ignoring the detailed format criteria given by publishers. If you want a fair shot of getting your words before the all-seeing, ever-probing eyeballs of the publishing gods, follow me…

Your Write Voice

by J Snow

Every author has heard of one, most think they will never find one, every one of them has one, and almost all are using one regardless if aware. I speak of the writer's voice. Discovering your voice is the key to unlocking your potential as a writer.

I have had more writers than I can count ask me to teach them how to write like me. Some have adapted my style in some form. Flattering as that may be, it does no writer good to use the voice of another over their own.

No. I will not teach you to write like me. I will teach you to write like YOU!

Regardless what you write, it is essential that you hone your writing style, one unique to you as a writer. So let's find and develop your voice, shall we?

Below are some exercises for discovering and practicing your own, unique voice. I suggest doing each and every one, for there is no negative in learning about yourself as a writer. You should find many of these exercises rather enlightening. Unless you look for the negative... do not be negative. This is to help you find and identify your voice not cause suicide-inducing depression. Be positive. It will be a rewarding adventure...

  • Create a list of adjectives that describe your personality (i.e. silly, witty, empathetic, charming, intelligent, snarky, dickhead, whatever) It is easiest if narrowed down to three, and most of us will struggle with identifying that many. Now, do these traits show in your writing? Is this what shows when you talk? Why or why not? How can you incorporate it if you aren't already doing so?
  • Ask friends to describe you. Sometimes those outside looking in can describe what they see in far more detailed accuracy than we probably care to acknowledge. But this is a subjective excersice. You must remember, people tend to project their own negative traits/behaviors onto others. This may not help you see yourself through another's eyes, but it sure will tell you a lot about them. Either way its a win-win situation. I include this on the list simply because most are incapable of looking at themselves honestly and objectively. All writers know the hardest character to develop is the self.  Okay, most writers. Be sure to ask for honest feedback. Whether or not you want to hear you are a narcissistic asshats is irrelevant. If you are, own it! Then learn to use it to your advantage as a writer. 
  • Ask yourself, "When writing, am I talking at my readers, over my readers, through my readers, or TO my readers?"  I'm sure it's obvious which you should be doing. I didn't capitalize it for no reason, but are you? Trust me when I say your readers don't care if you graduated Harvard draped in a Summa Cum Laude sash. It is challenging for even the most educated and avid readers to not stumble over big, brilliant, brainiac thesaurus encrusted sentences. Step down a notch. Words are a great tool for communication, but not one that should  be used as a weapon against your readers. Don't be a condescending douche. Even if those are two of the three defining adjectives chosen to describe you. Actually, if that is indeed the case, close this up right now and go search for an anti-asshole self-help book. I speak for all people of coolness--we had a meeting--we are tired of your shit! Oops, I forgot where I was for a moment. My apologies. Back to the point.... Write to your readers as you would your best friend. You will find yourself surprised how many will talk back to you. Goals!
  • Describe your ideal reader in detail. Then write them a letter. Did you write using your usual style of writing? Does it sound like you? Do your writings sound like the letter? Well then, by deduction it would seem you are already using your voice.
  • Ask readers, "What do I sound like to you when you read my work?" This should provide you with some spot-on insight, many times revealing things about us we don't typically recognize as different or unique because it is so ingrained in our being.
  • My Favorite...FREE WRITE! Start anywhere, with your name, your favorite quote, the name of a book, anything, and let everything that comes to mind fall from the ink. Do NOT edit! Not during. Not after. When finished, just read it. Does it sound familiar? Is it similar to your written pieces? If so, you are already using your voice. Great job! Go forth and spread thy words amongst thy fans! If not, who's voice did you hijack? Uncool. Give it back and get your own. It's in you. I promise
  • Once you find, recognize, hone your voice, brand that baby! I mean brand as in BRAND. Use it as your signature. Make it a recognizable, tangible thing. Scribble your name across every little thing you write. Those familiar with your work should be able to hear your voice in your work. They should know it is yours by style alone. Not everyone is so perceptive, but readers do gravitate toward certain authors because of their style. It speaks to them. Keep speaking. They want to hear you!
  • Last but not least, ask yourself, "Do I like my writer voice?" Finding your voice isn't enough. It has to be one with which you feel expresses you the way  you wish. Read something you've written recently. Is it something you would read if written by another?  If not, why not? What would you change? 
Congratulations. You should, by now, be at least familiar with your writing voice. That in itself is a huge accomplishment. I have favorites amongst the writers I have met along my journey, and they each have an original and captivating voice. I found it odd a few of them were asking others how to find their voice, entirely unaware they were already using it. The single greatest struggle for most writers is not finding their voice, but recognizing it when they do and learning how to use it to its maximum value.

Don't forget, while discovering and honing your voice, don't allow it to be boring. Speak loud and strong, but do it in a way your readers will enjoy.

Now, go write like it's criminal and use your voice to do so!

-J Snow

We Went on a Boat (ROSTI)

(a Sonnet for David)
By ROSTI


It was our pride and joy, that boat—our prize.
We'd go to Key West every year in fall,
After summer downpours left the noon.
We made our pact there as we both had suffered
from the plague ungluing all our lives.
Now I'm here next to David's pallid body—
pale blue masque on, jaw a slack, grotesque.
He made the leap; he had escaped, was gone
Upon a journey I could not attend.
He left me all alone to sail solo,
Yet, He was captain and I his lowly mate.
Who would pull the spinnaker to catch the breeze?
Or talk with me as a person, unaffected?
Now, I was all alone just cast upon the water…

I sold that boat…




Learn more about ROSTI from his Author Spotlight page.


Write like it's criminal!


Thursday, October 5, 2017

Elements of Style

A writer’s style is what sets their writing apart, makes it unique, makes it their own. Many elements of writing contribute to an author’s style, but the most important three are word choice, sentence fluency, and voice.

WORD CHOICE
  • Use concise and precise words
  • Delete unnecessary words
  • Delete redundant words
  • Choose exact words to convey meaning
  • Use adjectives sparingly
  • Use adverbs rarely
  • Nouns and verbs need to do most of the work
  • Choose words the help flow
    • Use multi-syllable, alliteration, consonants to help with sentence flow and overall rhythm in writing

SENTENCE FLUENCY
A tight and more readable style emerges when words are chosen carefully, redundancies are eliminated, and specific words are used in place of vague words. Subordinate clauses and phrases, when used correctly, can rearrange ideas for a greater effect.

VOICE
An essential element of style that reveals the writer’s personality. A writer’s voice can be impersonal or chatty, authoritative or reflective, objective or passionate, serious or funny.  Find your voice



Read full articlewritten by Kathleen Cali

Write like it's criminal! 

What Not To Do: An Agents Perspective

Written by Joyce Holland, literary agent


First of all, I realize that many writers today want to bypass agencies. There’s a lot of that going on lately in the self-publishing world, and I champion it. So why am I writing this advice piece?

Because once you succeed in selling and marketing your work, you may get dream offers. If so, you might reconsider and take a second look at what an agency can do for you that you cannot.

Are you an expert at dealing with contracts? Can you recognize all the little tricks of the trade? If so, stick to your guns. But remember the old adage attributed to Abe Lincoln:” A man who represents himself in court has a fool for a client.” The same might be said of a successful author who acts as his own agent. This is true only if you hit the big time.

In case you do decide to contact an agent at any time, I want to share a few thoughts with you.

Number one on my list of things never to do, is to address a query to 30 or 40 agents or editors at the same time. I’m talking about listing them in the header of your query. We usually toss those without even reading the subject line. Someone sent me one yesterday addressed to at least 50 other agents. I took a moment and tried to figure out what their reasoning might be. Did the writer think I would immediately jump on the material, worried someone would beat me out of a bestseller? Really?

I’m not foolish enough to think authors aren’t submitting to more than one agent or editor at a time. I certainly do, but I never list them so everyone knows. By the same reasoning, don’t ever, ever, send material to all the agents at one agency. We do talk to one another.
I recently received a query stating the author had done his homework and investigated dozens of agents and agencies. It boiled down to me being the perfect person to represent his masterpiece. (Yes, that’s what he called it.) Unfortunately for him, he addressed the query to Ms. Gallagher. Lesson: Be very careful before you press the send button.

Never say you have copyrighted your book with the Library of Congress. Your book is copyrighted the moment you put the words on paper. To have it done officially, dates your material–forever. Let the publisher do that.

A book with a copyright date of 2013, and submitted in 2016, speaks volumes to an editor or agent. It means it’s been shopped around, a lot! If you are really worried someone will steal your material, register it with the Writers’ Guild, East or West. For a small fee they will record the work, proving when you wrote it. And then, unless you are submitting to an entertainment agent or producer, keep your mouth shut. Copyright marks and WGA numbers suggest you don’t trust us.
Name-dropping of famous people annoys most professionals. If you really have contacts, include a note from them and you’ll receive immediate attention. It doesn’t mean agents or editors will take it, but they will certainly have a quick look. Let’s face it, if James Patterson or Nora Roberts says your work is extraordinary, I will pant with excitement. If they have written a blurb or a preface for your book, send it along. Then celebrate by doing the naked chicken dance around your desk. Otherwise, don’t name-drop.
It goes without saying that you should research the agency or publishing house you are sending to. Then submit a clean, error free manuscript. Formatted to fit their submission guidelines.

Last (for now) on my list of suggestions of what not to do is what one famous agent calls “the no bullshit rule.” It means exactly what it says. If your book isn’t done, don’t say it is. Don’t make up kudos for yourself. Don’t brag, but don’t grovel either. And everyone’s favorite: Please, do not tell me your mother loved it.

*Joyce Holland is currently closed to submissions. Please do not query.